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・ Nabil Ghilas
・ Nabil Gholam
・ Nabil Guelsifi
・ Nabil Haddad
・ Nabil Hamouda
・ Nabil Hasan al-Faqih
・ Nabil Hemani
・ Nabil Jaadi
・ Nabil Jeffri
・ Nabil Kanso
・ Nabil Kassel
・ Nabil Kebbab
・ Nabil Lahlou
・ Nabil Lasmari
・ Nabil Madi
Nabil Maleh
・ Nabil Mazari
・ Nabil Maâloul
・ Nabil Miladi
・ Nabil Miskinyar
・ Nabil Na'eem
・ Nabil Nahas
・ Nabil Naïli
・ Nabil Nosair
・ Nabil Omran
・ Nabil Qaouk
・ Nabil Sabio Azadi
・ Nabil Sahraoui
・ Nabil Salameh
・ Nabil Samad


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Nabil Maleh : ウィキペディア英語版
Nabil Maleh

Nabil Maleh (born September 28, 1936) is a Syrian film director, screenwriter, producer, painter and poet; he is thought to be a father of Syrian cinema.〔(【引用サイトリンク】title=Nabil Maleh Homepage )
Nabil has published more than 1,000 articles short stories, essays and poems. He is the writer and director of 120 short, experimental and documentary works and 12 feature-length films including ''The Extras'' and ''The Leopard''. He has more than 60 awards at international film festivals, including several lifetime achievement awards. Several of his films are in the curriculum of international film schools and he has taught film direction, acting, writing and aesthetics at many universities, centers and associations, including Austin University in Texas and the University of California in Los Angeles.〔()〕
==Early life==
Nabil Maleh was born into an upper middle class Damascus family. When Nabil was 14 years old he used to write political articles for local newspapers. Later at 16 years, he went to Czech Republic to study nuclear physics. However, he immediately fell in love with film industry when he was asked to be an extra in a film; so he went to study in Prague Film School (FAMU), whose students then included Milos Foreman and Jiri Menzel. While a student he was working at the Arab Radio Transmission, an Arabic language Czech station aimed at the Middle East. Nabil’s school years were full of cultural inspiration: “In addition to the technical side and high artistic standards, FAMU created and developed a very sophisticated cultural base for the filmmaker. Culture was a part of daily life—a daily event—a new book, play, concert, an engaging debate. And everything was accessible. It is the only place I found where culture was free of charge. I lived for one month in Prague for what a concert with bad seats with would have cost in Paris.”
He finished school and returned home in 1964, but in a year he went abroad again.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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